Linkedin - Compositing 3D Render Passes

1. Ex_Files_Compositing_3D_Render_Passes_2.zip2.47 GB
2. Ex_Files_Compositing_3D_Render_Passes_1.zip341.94 MB
3. [7] 6. Compositing for Animation/[1] Importing 3D data.mp449.32 MB
4. [3] 2. Rendering AOVs from Redshift/[1] ACES workflow in Redshift.mp438.77 MB
5. [6] 5. Fine-Tuning and Revisions/[4] Dialing in the final look.mp435.82 MB
6. [5] 4. Rebuilding the Beauty Pass/[1] Layering the proper passes.mp434.6 MB
7. [7] 6. Compositing for Animation/[2] Attaching 2D objects.mp433.28 MB
8. [5] 4. Rebuilding the Beauty Pass/[4] LUTs and Lumetri.mp431.06 MB
9. [6] 5. Fine-Tuning and Revisions/[2] Adding depth of field.mp430.05 MB
10. [3] 2. Rendering AOVs from Redshift/[10] Final output settings.mp428.95 MB
11. [3] 2. Rendering AOVs from Redshift/[7] Separating light groups.mp425.72 MB
12. [2] 1. AOV Basics/[3] Additional tools.mp423.53 MB
13. [3] 2. Rendering AOVs from Redshift/[9] Optimizing the render.mp423.25 MB
14. [5] 4. Rebuilding the Beauty Pass/[3] Initial color correction.mp422.9 MB
15. [4] 3. EXR Import and Workflow/[1] Color spaces and workflow.mp422.43 MB
16. [3] 2. Rendering AOVs from Redshift/[8] Custom AOVs.mp422.1 MB
17. [3] 2. Rendering AOVs from Redshift/[3] Beauty pass AOVs.mp420.13 MB
18. [3] 2. Rendering AOVs from Redshift/[4] Setting up Puzzle Mattes.mp419.91 MB
19. [6] 5. Fine-Tuning and Revisions/[1] Using light groups.mp419.33 MB
20. [3] 2. Rendering AOVs from Redshift/[5] Cryptomatte for multiple objects.mp419.22 MB
21. [5] 4. Rebuilding the Beauty Pass/[5] Mattes and masking.mp418.68 MB
22. [3] 2. Rendering AOVs from Redshift/[2] Render time decision making.mp418.51 MB
23. [6] 5. Fine-Tuning and Revisions/[3] Reducing the CG look.mp418.26 MB
24. [5] 4. Rebuilding the Beauty Pass/[6] Working with Cryptomatte.mp417.65 MB
25. [3] 2. Rendering AOVs from Redshift/[6] Utility and data passes.mp415.83 MB
26. [7] 6. Compositing for Animation/[3] Adding motion blur.mp415.4 MB
27. [4] 3. EXR Import and Workflow/[2] Working with EXRs.mp415.24 MB
28. [2] 1. AOV Basics/[2] ACES and color spaces.mp413.99 MB
29. [6] 5. Fine-Tuning and Revisions/[5] Relighting using the normal pass.mp413.44 MB
30. [2] 1. AOV Basics/[1] What are AOVs.mp412.36 MB
31. [5] 4. Rebuilding the Beauty Pass/[2] Adding the shadow pass.mp410.88 MB
32. [1] Introduction/[1] Welcome to 3D compositing.mp46.04 MB
33. [1] Introduction/[2] What you should know.mp43.76 MB
34. [1] Introduction/[3] Exercise files.mp41.87 MB
35. [7] 6. Compositing for Animation/[4] Continue refining your technique.mp4944.17 KB
36. [5] 4. Rebuilding the Beauty Pass/[1] Layering the proper passes.srt19.76 KB
37. [7] 6. Compositing for Animation/[1] Importing 3D data.srt18.7 KB
38. [6] 5. Fine-Tuning and Revisions/[2] Adding depth of field.srt16.45 KB
39. [3] 2. Rendering AOVs from Redshift/[1] ACES workflow in Redshift.srt16.41 KB
40. [6] 5. Fine-Tuning and Revisions/[4] Dialing in the final look.srt16.11 KB
41. [3] 2. Rendering AOVs from Redshift/[10] Final output settings.srt16.08 KB
42. [7] 6. Compositing for Animation/[2] Attaching 2D objects.srt15.69 KB
43. [5] 4. Rebuilding the Beauty Pass/[4] LUTs and Lumetri.srt15.51 KB
44. [4] 3. EXR Import and Workflow/[1] Color spaces and workflow.srt14.84 KB
45. [3] 2. Rendering AOVs from Redshift/[9] Optimizing the render.srt14.34 KB
46. [2] 1. AOV Basics/[3] Additional tools.srt14.01 KB
47. [3] 2. Rendering AOVs from Redshift/[3] Beauty pass AOVs.srt13.65 KB
48. [5] 4. Rebuilding the Beauty Pass/[3] Initial color correction.srt12.55 KB
49. [3] 2. Rendering AOVs from Redshift/[5] Cryptomatte for multiple objects.srt12.54 KB
50. [3] 2. Rendering AOVs from Redshift/[7] Separating light groups.srt12.31 KB